
Music for a Sunday Morning, Part 20: Nearing the end–New Order’s “Ceremony” and David Bowie’s “Blackstar”
This is why events unnerve me.
Hagoth favors essays that can trace their lineage back to Michel de Montaigne; whether narrative, analytical, or devotional, these essays lean ruminative, conversational, meandering, impressionistic, and are reluctant to wax didactic. But that doesn’t mean you won’t find the occasional poem or piece of fiction here as well.
This is why events unnerve me.
The above image is the cover that probably most every one who’s actually read James E. Talmage’s Jesus the Christ is most familiar with–not the
You can tell we’re getting near the end of this playlist since we’re looping all the way back around to the Velvet Underground, who’s “Sunday
On Ukraine: “Behold, we have not come out to battle against you that we might shed your blood or power; neither do we desire to
Josiah belonged to that special class of special needs students designated as “medically fragile.”
My mission president was one of those rare ones who refused to straight up ban genres of music, trusting us to use our own judgment
We were strangers, and we were pilgrims
In which Darwinistic Randomization is at once refuted and reaffirmed. Once, when I was an inexperienced young first-year MA student at the U who did
I’d been avoiding doing the single most overplayed, over-covered, over-exposed Sunday song of the past 30-odd years, simply because it is so obvious.
Time Skiffs is Animals Collective’s best new album since their 2009 masterpiece Merriweather Post Pavilion. That is a frankly low bar to clear.
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