Ships of Hagoth is a digital-first literary magazine featuring creative nonfiction and theoretical essays by members of the Church of Jesus Christ of Latter-day Saints. Where other LDS-centric publications often look inward at the LDS tradition, we seek literary works that look outward through the curious, charitable lens of faith.
Ships of Hagoth is pleased to announce its first book-length message in a bottle, AND ALL ETERNITY SHOOK, by
Jacob Bender, released April 2022.
Jacob L. Bender is also the author of Modern Death in Irish and Latin American Literature (Palgrave Macmillan, 2020), a work similarly rooted in his Puerto Rican mission service and his mother's passing. In LDS studies, he has previously written for Dialogue, Sunstone, Peculiar Pages, Ships of Hagoth, the Eugene England Foundation, and The Association of Mormon Letters.
Enraged, he wrestles with his God in passionate prayer as he pleads for her life; images and memories of his mission and his Mom jump, cut, and splice together in a cinematic crescendo, flashing furiously before his eyes as though he were the one dying and not her; all as he feels after some miracle, some impossibility, and the peace which surpasses understanding.
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A CALL FOR
We are hoping—for “one must needs hope”—for creative nonfiction, theoretical essays, and craft essays that seek radical new ways to explore and express theological ideas; that are, like Hagoth, “exceedingly curious.”
We favor creative nonfiction that can trace its lineage back to Michel de Montaigne. Whether narrative, analytical, or devotional, these essays lean ruminative, conversational, meandering, impressionistic, and are reluctant to wax didactic.
As for theoretical essays: we welcome work that playfully and charitably explores the wide world of arts & letters—especially works created from differing religious, non-religious, and even irreligious perspectives—through the peculiar lens of a Latter-day Saint.
We read and publish submissions as quickly as possible, and accept simultaneous submissions.
I am I am.
David Markson’s 1988 postmodern novel Wittgenstein’s Mistress has been hailed by no less than David Foster Wallace as “pretty much the high point of experimental
Dedicated to the Angel Moroni.
On finally coming around to my old mission president’s favorite band, and becoming as a little child, for of such is the Kingdom of God.
Ever since the collapse of the Soviet Union, mainland China has been the LDS Church’s white whale.
On Aram Saroyan’s one-word poem, the Light of Christ, and the Kishi Bashi song my wife and I danced to at our wedding reception.
Featuring selections from the hit Broadway musical.
On what keeps Nibley relevant long after the rest of his scholarship becomes museum pieces.
The startling finale to Part 1, in which the Sword of Laban itself becomes the root of the Deleuzian self-replicating machine that destroys the Nephites–and us.
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