Ships of Hagoth is a digital-first literary magazine featuring creative nonfiction and theoretical essays by members of the Church of Jesus Christ of Latter-day Saints. Where other LDS-centric publications often look inward at the LDS tradition, we seek literary works that look outward through the curious, charitable lens of faith.
Ships of Hagoth is pleased to announce its first book-length message in a bottle, AND ALL ETERNITY SHOOK, by
Jacob Bender, released April 2022.
Jacob L. Bender is also the author of Modern Death in Irish and Latin American Literature (Palgrave Macmillan, 2020), a work similarly rooted in his Puerto Rican mission service and his mother's passing. In LDS studies, he has previously written for Dialogue, Sunstone, Peculiar Pages, Ships of Hagoth, the Eugene England Foundation, and The Association of Mormon Letters.
Enraged, he wrestles with his God in passionate prayer as he pleads for her life; images and memories of his mission and his Mom jump, cut, and splice together in a cinematic crescendo, flashing furiously before his eyes as though he were the one dying and not her; all as he feels after some miracle, some impossibility, and the peace which surpasses understanding.
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A CALL FOR
We are hoping—for “one must needs hope”—for creative nonfiction, theoretical essays, and craft essays that seek radical new ways to explore and express theological ideas; that are, like Hagoth, “exceedingly curious.”
We favor creative nonfiction that can trace its lineage back to Michel de Montaigne. Whether narrative, analytical, or devotional, these essays lean ruminative, conversational, meandering, impressionistic, and are reluctant to wax didactic.
As for theoretical essays: we welcome work that playfully and charitably explores the wide world of arts & letters—especially works created from differing religious, non-religious, and even irreligious perspectives—through the peculiar lens of a Latter-day Saint.
We read and publish submissions as quickly as possible, and accept simultaneous submissions.
Let us remember that brief moment at the turn of the millennium, before they reinvented themselves as a Political Punk Band, when it looked like Green Day was going consent to age gracefully.
One last examination of the early-90s “slow-core” scene that birthed Low.
On the religious feeling missing from the two 21st-century sequels.
RIP
On our innate desire to overcome death, even as we know how impossible that is by our own efforts.
Revisiting the title track from their polarizing 2019 album, the Yeats poem that inspired it, and literal Second Coming we supposedly look forward to.
Has it already been 7 years since Bob Dylan was awarded the Nobel Prize for Literature, of all things?
From the “Mothman Prophecies” soundtrack
Some readings to get you in the Holiday Spirit, just in case they’re not doing so sufficiently in your ward this weekend!
O grave, where is thy victory?
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